Guitar Pan

steelpan06_001 guitar.jpg
steelpan06_002 guitar.jpg
steelpan06_003 guitar.jpg

Title

Guitar Pan

Video


Physical description

This instrument consists of two pans with a “skirt” or side length of approx 45 cm. The lowest notes found along the circumference of the bowl are U-shaped, while the higher octave notes are either oval or circular-shaped inside. The guitar pans must be suspended on stands or a rack to allow the drums to resonate and are played with thick rubber mallets.

Historical background

The middle range guitar pans were designed to support the melody played by the “frontline” or upper range pans (such as the tenor, double tenor and double second pans). The guitar pans are used to support the lower portions of the harmony by “strumming” chordal accompaniment as well as playing simple countermelody.

Tuning

The double guitar pans have an average of 20 notes with the chromatic range falling between C3 and G#4. The triple guitar (not found in our collection) has 27 notes with a chromatic range falling between B-flat2 and C5.

Geography

Trinidad and Tobago

Classification

111.241.22 Sets of gongs with divided surface sounding different pitches

Ensemble

Steel Pan Ensemble

Materials

Steel

Date/Era

20th century to present

Bibliography

Blake, F.I.R.  The Trinidad & Tobago Steel Pan: History and Evolution.  Port of Spain, Trinidad:  Published by author.

Goddard, George “Sonny.”  1991.  Forty Years in the Steelbands, 1939-1979.  Port of Spain, Karia Press.

Steumpfle, Stephen.  1995.  The Steelband Movement: The Forging of a National Art in Trinidad and Tobago.  Philadelphia: Univ. of Pennsylvania Press.

Thomas, Jeffrey Todd. 1985.  A History of Pan and the Evolution of the Steel Band in Trinidad and Tobago.  M.A. Thesis.  Middletown, CT:  Wesleyan University.

Additional resources

Contributors

Amelia Ingram (2004)

Collection

Citation

“Guitar Pan,” Wesleyan University Virtual Instrument Museum 2.0, accessed May 21, 2024, https://wesomeka.wesleyan.edu/vim2/items/show/33.